PUBLICATION/ PRESS
Mouthpieces: Three Exhibitions in Sheffield, Review of FALSE NOTE by Pamela Crowe. Published by Corridor 8, April 2024
FALSE NOTE exhibition essay by Angelica Sule, Director of FVU. Published by Site Gallery, 2024
Going Out, Staying In, FALSE NOTE featured in Guardian Saturday Magazine, 30 March 2024
VENTRILOQUY FOR RADIO, essay by Kevin Hunt for CARF #4, Published by FRAC Champagne Ardenne
TESTING OUT LOUD, essay by Angelica Sule for Aggregrate, published by Freelands Foundation, 2021
THE VISITOR, writing commission published by Yellowfields and curated by Georgia Hall (in production), 2020
Essay by Ellen Wilkinson for PRODUCTION PRODUCTION, Yellowfields, 2020
VENTRILOQUY FOR RADIO, Review by Chris Alton for Corridor 8, 2020
SOMEWHERE IN THE CROWD THERE’S YOU, Vinyl record edition, published by Eastside Projects and supported by Arts Council Wales, 2020
IN RESPONSE TO CHANGING PRACTICES: New Writing with New Contemporaries by Holly Grange for Corridor 8, 2020
CALL IT WHAT YOU LIKE. ART AS WORDS, SPOKEN AND HEARD, Review of performances at Leeds Art Gallery by Amelia Crouch for Corridor 8 , 2019
IN THEIR OWN WORDS: New Contemporaries artists on using language in their practice, Profile by Lara Eggleton for Corridor 8 , 2019
TOUGH MATTER W/ ASHLEY HOLMES AND FREYA DOOLEY, NTS Radio, 2018
THE SONG SETTLES INSIDE OF THE BODY IT BORROWS, essay by Cherry Smyth, 2019. Commissioned by Chapter Gallery to accompany the solo exhibition
SHE OFFERED SOME NOTES, response to The Host by Nadia Hebson, 2019, Commissioned by Chapter Gallery
PEOPLE ARE STRANGE MACHINES by Rhiannon Lowe, Response to Somewhere in the Crowd There’s You at Eastside Projects, 2019
Interview with Y STAMP magazine, 2019
THE REVIEW SHOW, Guest critic, BBC Radio Wales, 2019
TALK OVER PRINT, Contributor, published by Foundation Press, 2019
Scene Report, Commissioned by A-N, 2018
THIS IS TOMORROW, essay by Louise Hobson in response to my solo exhibition SPEAKABLE THINGS, 2018
COUNTERPOINT, riso publication commissioned by Wysing Arts Centre with Syllabus III for the exhibition MORE OF AN AVALANCHE, 2017
RHYTHMS AND DISTURBANCES, 96pp artist book with full colour inserts, published by g39 and supported by Arts Council Wales, 2016-17. The publication is held in The National Library of Wales collection
Co-editor of THE SOFT MACHINE by Jonathan Baldock, risograph publication published by Chapter, 2015